The most popular continuous light for weddings is the Icelight. I've used it before and it's fine, but lately I've been using Dracast Boltray. They are more powerful, have an adjustable color temperature and fit easily on a light stand. As a wedding photographer, I tend to work on weddings with large numbers of guests and on parties of more than 20 people, in locations all over the tri-state area of New York City.
One of the first things I noticed on this trip was that lighting for weddings and events presents a number of unique challenges. Events tend to take place in different spaces within the same day, so preparation is key to obtaining a favorable outcome. On a wedding day, we can start outdoors, then move to a separate shady park for formal portraits and, finally, to an indoor reception space. These changes and changes in the environment usually involve changing the focus and configuration of the lighting, sometimes on the spot and in the moment.
One of the worst feelings for an event photographer is to see something incredible at the moment you want to create and not have the tools you need to execute your idea. Wishing that you “brought a” (also known as team regrets) is completely avoidable. Just bring your bag of tricks; bring all the things you might need or want to use artistically, even if you don't use them in the end. Keep them handy just in case.
When working in a monotonous or neglected event space, light is a tool that can be used to transform the look of the space. In general, we use gels to balance our subject with the color temperature of the environment. Use a CTB gel to cool skin tones in a warm environment. Gels can also be used to change the color temperature of the image.
Use a full CTO gel and adjust the white balance below 3300 K for bold ambient blues and natural warm tones for the subject. For more information on wedding photography, see the Wedding Photography Training System in SLR Lounge Premium. One of the best bases for event lighting is understanding how to perfect bouncing flash techniques. Wedding and event photographers face a wide spectrum of lighting situations in a single day.
This function can be taught and shaped, and when the assistant understands the photographer's personal approach to event lighting, the result is smooth and seamless coverage of the event. With the latest news and tips on wedding photography and how to make your wedding as special as possible. We love using MagGrids to have precise control over where you want to receive light, helping you create photographs that capture the real feeling of 26% of the mood at the reception. I've had the honor of photographing hundreds of weddings around the world, and along the way, I learned invaluable lessons about how to approach and prepare for event lighting.
A good lighting assistant is intuitive, attentive and understands where the light should be and how it should be placed in relation to the photographer and what the photographer is capturing.